作者简介： 多米尼克·德罗姆古尔（Dominic Dromgoole），英国莎士比亚环球剧院前艺术总监，他执导的《哈姆雷特》《仲夏夜之梦》等莎士比亚剧作曾在中国的剧场上演；著作有《戏剧全景：从A到Z的当代剧本创作》（THE FULL ROOM: An A-Z of Contemporary Playwriting）和《威尔与我：莎士比亚如何控制我的生活》（WILL AND ME: How Shakespeare Took Over My Life）。 译者简介： 刘虹。毕业于南开大学英文系、北京大学英语语言文学系，加拿大多伦多大学比较文学博士在读。

Two years, 190,000 miles, 197 countries, one play. For the 450th anniversary of Shakespeare’s birth the Globe Theatre in London undertook an unparalleled journey to share Hamlet with the entire world. The tour was the brainchild of Dominic Dromgoole, artistic director of the Globe, and in Hamlet Globe to Globe, Dromgoole takes readers along with him on this wildly ambitious exp...(展开全部)

The first exploration of the profound and often catastrophic impact the American Revolution had on the rest of the world While the American Revolution led to domestic peace and liberty, it ultimately had a catastrophic global impact—it strengthened the British Empire and led to widespread persecution and duress. From the opium wars in China to anti-imperial rebellions in Peru t...(展开全部)

The first exploration of the profound and often catastrophic impact the American Revolution had on the rest of the world While the American Revolution led to domestic peace and liberty, it ultimately had a catastrophic global impact—it strengthened the British Empire and led to widespread persecution and duress. From the opium wars in China to anti-imperial rebellions in Peru t...(展开全部)

Why and how do debates about the form and disposition of our Earth shape enlightened subjectivity and secular worldliness in colonial modernity? Sumathi Ramaswamy explores this question for British India with the aid of the terrestrial globe, which since the sixteenth century has circulated as a worldly symbol, a scientific instrument, and not least an educational tool for incu...(展开全部)

Why and how do debates about the form and disposition of our Earth shape enlightened subjectivity and secular worldliness in colonial modernity? Sumathi Ramaswamy explores this question for British India with the aid of the terrestrial globe, which since the sixteenth century has circulated as a worldly symbol, a scientific instrument, and not least an educational tool for incu...(展开全部)

In Shanghai Filmmaking, Huang Xuelei invites readers to go on an intimate, detailed, behind-the-scenes tour of the world of early Chinese cinema. She paints a nuanced picture of the Mingxing Motion Picture Company, the leading Chinese film studio in the 1920s and 1930s, and argues that Shanghai filmmaking involved a series of border-crossing practices. Shanghai filmmaking devel...(展开全部)

From Babylon to Columbus and beyond, a journey across millennia and—yes—the globe exploring how we came to understand our spherical planet. The Globe tells the story of humanity’s quest to discover the form of the world: that the Earth is round and not flat. Philosophers in ancient Greece deduced the true shape of the Earth in the fourth century BCE; the Romans passed the know...(展开全部)

斯蒂芬·格林布兰特，著名的文学批评家、理论家，当代西方学术界新历史主义批语流派的泰斗级人物，近二十年来最有影响力的莎学家之一。现任哈佛大学人文学教授、美国艺术与科学学院成员。2000年，被哈佛大学校长任命为John Cogan学院教授，系哈佛大学教授头衔中的最高荣誉，仅有19名哈佛教授获此殊荣，专门从事跨越传统学科界限的前沿性学术研究。作者获得哈佛大学教授头衔中的最高荣誉时，正在从事两个研究项目，本书就是其中一个项目的研究成果。曾在牛津大学、柏林大学、东京大学、北京大学等世界知名大学任客座教授。曾发表几十篇学术论文，出版十余部学术著作，并多次获奖。他在莎学方面的代表作有《文艺复兴时期的自我塑造——从莫尔到莎士比亚》（1980）、《莎士比亚式的协商：文艺复兴时期英国的社会能量的流通》（1988）等等。2004年出版即荣登《纽约时报》十佳图书榜的《俗世威...(展开全部)

斯蒂芬·格林布兰特，著名的文学批评家、理论家，当代西方学术界新历史主义批语流派的泰斗级人物，近二十年来最有影响力的莎学家之一。现任哈佛大学人文学教授、美国艺术与科学学院成员。2000年，被哈佛大学校长任命为John Cogan学院教授，系哈佛大学教授头衔中的最高荣誉，仅有19名哈佛教授获此殊荣，专门从事跨越传统学科界限的前沿性学术研究。作者获得哈佛大学教授头衔中的最高荣誉时，正在从事两个研究项目，本书就是其中一个项目的研究成果。曾在牛津大学、柏林大学、东京大学、北京大学等世界知名大学任客座教授。曾发表几十篇学术论文，出版十余部学术著作，并多次获奖。他在莎学方面的代表作有《文艺复兴时期的自我塑造——从莫尔到莎士比亚》（1980）、《莎士比亚式的协商：文艺复兴时期英国的社会能量的流通》（1988）等等。2004年出版即荣登《纽约时报》十佳图书榜的《俗世威...(展开全部)